I've read that Owsley developed a very unique form of dancing at concerts while high on acid. The name stuck and people still refer to him as Bear to this day. He was given this moniker by his friends in his childhood because he grew a lot of body hair at a young age. It's well known that Owsley's nickname is Bear. It's said that the massive amounts of high quality acid he produced in his lab were largely responsible for the beginning of the summer of love and the whole San Francisco scene in the Sixties. A man of many talents, he was both a chemist and the sound wizard involved with the creation of the Dead's famous PA system - the "wall of sound". Owsley is, of course, the famous "LSD millionaire" who was the sound engineer for the band when they first started out. At least that's what I read somewhere, I could be wrong, probably only he knows for sure. 1970, nicknamed the Steal Your Face after appearing on the 1976 live album of that name.It's been said that the Grateful Dead bears first appeared as a design on Owsley's blotter acid but I was under the impression that he sold his acid in the form of pills that resembled small barrels. Grateful Dead logo, originally designed c.
One of his close friends from involved in that world was musician Bob Thomas of the band the Golden Toad, who (in addition to working on some of Owsley’s labs) would create the art for Live/Dead, as well as the dancing bears and the Dead’s skull-and-lightning bolt Steal Your Face logo.
Along with his partners, he was an enthusiastic attendee of the early Renaissance Faires in California, countercultural events that grew from the same underground arts scene as the Grateful Dead, topic of a great book by Rachel Lee Rubin. Owsley had many fascinations and obsessions, from alchemy to coffee, from ballet to hi-fi stereo. “Turnaroumd,” Jorma Kaukonen & Jack Casady (with Joey Covington), from the Owsley Stanley Foundation release Before We Were Them The Owsley Stanley Foundation has dedicated itself to preserving many of Bear’s Sonic Journals of other artists, so far including the New Riders of the Purple Sage, the Allman Brothers Band, Doc & Merle Watson, Jorma Kaukonen and Jack Casady, and-most lately- Commander Cody and His Lost Planet Airmen. Stanley’s recordings can be heard on many Grateful Dead releases from the late ‘60s and early ‘70s, such as the incredible Dick’s Picks 4, recorded at the Fillmore East in February 1970. Owsley Stanley at the Fillmore East, February 1970. It’s a story inseparable from the history of the Grateful Dead - and, for that matter, perhaps the entirety of western culture over the past half-century. They’re marching.īack cover of Bear’s Choice, art by Bob Thomas, 1973Īlso known as Bear, and in addition to his work as a trailblazing pioneer of live concert sound, Owsley Stanley was also the most legendary underground LSD chemist in history.
And he would’ve told you the bears aren’t dancing. The “Bear” was Owsley Stanley, and it was the first release of music from he called his Sonic Journals, verite audio documents of his work as the Grateful Dead’s first sound engineer. The album was a tribute to Ron “Pigpen” McKernan, who’d passed away that spring. The bears first appeared in July 1973 on the Grateful Dead live album, The History of the Grateful Dead, Volume One: Bear’s Choice. What’s With the Bear(s)? Supplementary NotesĪll those dancing bears might look cute and cuddly, but there’s a lot more to them.